What exactly does a film producer do? Producer, Deborah Osment, has a great answer in this illuminating post on FilmSlate’s website.
I’m basically a rare film jack-of-all-trades (producing, directing, audio, lighting, shooting, etc.), but master of none – except actually being a jack of all filmmaking trades – which is a specialized and valuable skill in and of itself that has served me well on my particular film journey. However, if I had to only be one thing in this field – it would be a producer above all else.
That’s been my primary role on the tv programs and films I’ve worked on and it’s the role that I find most challenging (always) and rewarding (most of the time), because it’s so multi-faceted, dynamic and unpredictable. The ability to be think on your feet, be resourceful and maintain your composure under stress is an absolute requirement. It stretches the very limits of everything I’m capable of…and on occassion even breaks those limits. My most direct description of what a producer does is:
The Producer is the person that makes it all HAPPEN.
The writer creates it. The D.P. visualizes it. The gaffer lights it. The audio person records it. And the director dreams, shapes, and guides the creative vision. But once all those people decide what it is they need to create the vision…the producer is the person that has to actually set the wheels in motion to realize that vision by finding a practical, legal (mostly), safe (always), budget-conscious and realistic way to actually find, acquire and manage all those resources be they financial, human, equipment or logistical.
When you see an insanely wild and spectacular car chase like the centerpiece chase in “To Live and Die In L.A.”, it’s not just the directors, stunt people , D.P. and sound designer crafting that. Before any of those people could do their job, somebody had to:
…Well that incredibly busy somebody is called the producer. (And I’m really only talking about the job of managing logistics for one big scene here, nevermind the job managing the other 87 scenes in the movie or all of the people involved which is arguably the biggest X-factor for any producer.) All of that can be summed up as the person who makes it happen.
Peep Deborah Osment’s article in Film Slate Magazine entitled, Ask the Filmmaker: What Does A Film Producer Do?
Check out the below car chase scene from to Live and Die in L.A. again, only this time I want you to not just admire the editing, stunts and storytelling, but think about all the problem-solving, resources and logistics that went into translating just this one scene from a vision on paper to a reality that was successfully captured on film…
Simply making it happen is not as simple as it sounds, but that is the never-ending challenge of producing.